BUT IT IS SLEEPING
Sunday, 27 March 2011
Issue eleven// Eche Udeze
#4
dismember all important parts
leave him a bloodied mess of thick glass
shattered in sunlight ---------disorganized in fragments
of hurt
all connected atop of neck is disheveled
a bum head ---------derelict daze ---------thick matted
hairy knots of flesh
and when cleaning
make sure not to dirty your own
clean hands
leave all in pails w/amber soaked mop
wring out all traces of emotion from frame
and no lights on in the rooms where
he spent his life
#6
her coronation ---------speaks
of ariel dancing on the sun
when my in drifts ---------towards her
now as if dirt rallied by wind
the triumph is ---------oblivion w/my
right hand
her dissension
is the freefall of a ---------liquor bottle
shattering into glint ---------off sun
ariel has landed
sinking into a stare as ---------empty
as an idiot ---------who refuses to take in
the last gust of the muses harp
her memory a scattering clutter
in a vacuous free space ---------I cannot forget
dismember all important parts
leave him a bloodied mess of thick glass
shattered in sunlight ---------disorganized in fragments
of hurt
all connected atop of neck is disheveled
a bum head ---------derelict daze ---------thick matted
hairy knots of flesh
and when cleaning
make sure not to dirty your own
clean hands
leave all in pails w/amber soaked mop
wring out all traces of emotion from frame
and no lights on in the rooms where
he spent his life
#6
her coronation ---------speaks
of ariel dancing on the sun
when my in drifts ---------towards her
now as if dirt rallied by wind
the triumph is ---------oblivion w/my
right hand
her dissension
is the freefall of a ---------liquor bottle
shattering into glint ---------off sun
ariel has landed
sinking into a stare as ---------empty
as an idiot ---------who refuses to take in
the last gust of the muses harp
her memory a scattering clutter
in a vacuous free space ---------I cannot forget
© Eche Udeze 2011
Issue eleven// Frank C. Praeger
A Question
A question,
subsequently, another,
pondering
the solemnity to the passage of days,
as even now riots of tansy, knapweed, Queen Ann's lace
make time decay as much an artifact
as unsubstantiated last
sundown's furtherest gleam, or grossest crackle,
cheep or to-wit-to-woo melange
of what -
bird songs,
grace?
Where goest thou who on another day
was I but am not but now
listed as missing,
yet, rested.
Enough.
A scattering of sounds
and further on, ----ashes.
A question,
subsequently, another,
pondering
the solemnity to the passage of days,
as even now riots of tansy, knapweed, Queen Ann's lace
make time decay as much an artifact
as unsubstantiated last
sundown's furtherest gleam, or grossest crackle,
cheep or to-wit-to-woo melange
of what -
bird songs,
grace?
Where goest thou who on another day
was I but am not but now
listed as missing,
yet, rested.
Enough.
A scattering of sounds
and further on, ----ashes.
© Frank C. Praeger 2011
Issue eleven// Ted Jean
Rectification
---… construction on the Hawthorne Bridge
---has things backed up to the Central Ex …
You found again love long mislaid,
where last you left it, home,
bringing a ring to bind what was ever bound.
---… bleeding in the 400 block of SW Mill;
---police are looking for a Hispanic man in his …
Betrayal, it seems, once practiced, is everywhere
apprehended. But, without a hitch,
the golden yoke I greeted, glad, and fastened.
---… an alternate route is advised. On a more
---upbeat note, today marks the kick-off of …
Regret is an astringent rinse, has sharpened
your sight, my sweet, of old love in a new light.
---… construction on the Hawthorne Bridge
---has things backed up to the Central Ex …
You found again love long mislaid,
where last you left it, home,
bringing a ring to bind what was ever bound.
---… bleeding in the 400 block of SW Mill;
---police are looking for a Hispanic man in his …
Betrayal, it seems, once practiced, is everywhere
apprehended. But, without a hitch,
the golden yoke I greeted, glad, and fastened.
---… an alternate route is advised. On a more
---upbeat note, today marks the kick-off of …
Regret is an astringent rinse, has sharpened
your sight, my sweet, of old love in a new light.
© Ted Jean 2011
-----
Ted Jean is a recently retired AIG executive. He writes, paints, plays lots of tennis. In the past year, his work has appeared in Poetry Quarterly, Denver Syntax, Blue Earth Review, Cirque, The Centrifugal Eye and several other publications.
Ted Jean is a recently retired AIG executive. He writes, paints, plays lots of tennis. In the past year, his work has appeared in Poetry Quarterly, Denver Syntax, Blue Earth Review, Cirque, The Centrifugal Eye and several other publications.
Issue eleven// Felino A. Soriano
This is the first of three pieces by Felino A. Soriano for Disingenuous Twaddle.
Look out for the next two in subsequent issues.
Approbations 683
—after Archie Shepp’s 'A Prayer'
Predicated on faithful fingers’
clawing ascended skin of air’s
scaly modification.
----------------------------------------Reach
with voice of swollen child
--------------------------------------------------aching
from primitive hankering of
sedentary movement
----------------------------therefore
absent
---------from
flailing revolutions of
second hand’s
cured notion:
----------------------------time of timid occultation
hurried hands across eyes’
miniscule acronyms
respelling interpreted follies
--------------------------------------------------known by name and
bodily position
isolated by kneeling and
faith’s current alteration.
Look out for the next two in subsequent issues.
Approbations 683
—after Archie Shepp’s 'A Prayer'
Predicated on faithful fingers’
clawing ascended skin of air’s
scaly modification.
----------------------------------------Reach
with voice of swollen child
--------------------------------------------------aching
from primitive hankering of
sedentary movement
----------------------------therefore
absent
---------from
flailing revolutions of
second hand’s
cured notion:
----------------------------time of timid occultation
hurried hands across eyes’
miniscule acronyms
respelling interpreted follies
--------------------------------------------------known by name and
bodily position
isolated by kneeling and
faith’s current alteration.
© Felino A. Soriano 2011
-----
Felino A. Soriano is a case manager and advocate for developmentally and physically disabled adults. He has authored 34 collections of poetry, including In Praise of Absolute Interpretation (Desperanto, 2010) and Realities of Bifocal Translations (Blue & Yellow Dog Press, 2010). He edits & publishes Counterexample Poetics, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review. His website explains further.
Felino A. Soriano is a case manager and advocate for developmentally and physically disabled adults. He has authored 34 collections of poetry, including In Praise of Absolute Interpretation (Desperanto, 2010) and Realities of Bifocal Translations (Blue & Yellow Dog Press, 2010). He edits & publishes Counterexample Poetics, an online journal of experimental artistry, and Differentia Press, dedicated to publishing e-chapbooks of experimental poetry. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review. His website explains further.
Issue eleven// Howie Good
YELLOW
1
Everybody’s
morning
is different.
A seagull
doesn’t know
that it’s
a seagull,
only we
know that
and that its lidless
yellow eyes
are empty.
2
Only in old movies
do lovers escape
on an ice floe.
Your mind
whispers
to you
something
I can’t hear.
Later,
you’ll use
the worn
rubber nub
of a yellow
no. 2 pencil
to erase what
you’ve just
written.
1
Everybody’s
morning
is different.
A seagull
doesn’t know
that it’s
a seagull,
only we
know that
and that its lidless
yellow eyes
are empty.
2
Only in old movies
do lovers escape
on an ice floe.
Your mind
whispers
to you
something
I can’t hear.
Later,
you’ll use
the worn
rubber nub
of a yellow
no. 2 pencil
to erase what
you’ve just
written.
© Howie Good 2011
-----
Howie Good is the author of a full-length poetry collection, Lovesick, and 21 print and digital poetry chapbooks. With Dale Wisely, he is the co-founder of
White Knuckle Press.
Howie Good is the author of a full-length poetry collection, Lovesick, and 21 print and digital poetry chapbooks. With Dale Wisely, he is the co-founder of
White Knuckle Press.
Issue eleven// Jack C. Buck
A girl named Savannah
Savannah used to have a fella who would come through her apartment door with an anxious to see you smile. They met at the university. The friends and families celebrated with the two at their summer wedding four years back. They were so excited about life, all the possibilities it had. They even bought a nice home on Elk St. to call their own. Her husband no longer greets her with the boyish smile of excitement when he steps through the door. The door slams shut at 5:21, unless he stops after work to purchase some milk - then it’s around 5:33; depending on who is working behind the cash register on that particular day. Men drive cars. Men watch television. Men drink beers instead of splitting red wine with their once adored wives. Men fuck 19-year-old Asian girls with their right hand in front of the glow of a computer screen. Men stay busy.
Savannah used to have a fella who would come through her apartment door with an anxious to see you smile. They met at the university. The friends and families celebrated with the two at their summer wedding four years back. They were so excited about life, all the possibilities it had. They even bought a nice home on Elk St. to call their own. Her husband no longer greets her with the boyish smile of excitement when he steps through the door. The door slams shut at 5:21, unless he stops after work to purchase some milk - then it’s around 5:33; depending on who is working behind the cash register on that particular day. Men drive cars. Men watch television. Men drink beers instead of splitting red wine with their once adored wives. Men fuck 19-year-old Asian girls with their right hand in front of the glow of a computer screen. Men stay busy.
© Jack C. Buck 2011
-----
Jack C. Buck’s three favorite things in life are baseball, summers in Michigan, and literature. Especially by a man with the last name Fitzgerald. He is currently trying to figure out where to go next in the grand play of life. After attending Central Michigan University where he studied the art of greed and the illusion of democracy of Political Science, he realised thereafter the importance of not getting in a huff and puff about what you can't control.
Jack C. Buck’s three favorite things in life are baseball, summers in Michigan, and literature. Especially by a man with the last name Fitzgerald. He is currently trying to figure out where to go next in the grand play of life. After attending Central Michigan University where he studied the art of greed and the illusion of democracy of Political Science, he realised thereafter the importance of not getting in a huff and puff about what you can't control.
Sunday, 9 January 2011
Issue ten// Rani M. Moesq
Wastage
Dead
Twen
ty
th
ree
Splat
turd
a fly
on
a swat
splat
ter
dead!
A
step
too
far
Gone!
Left
loose
thread
caught
in
wind
from reaper
Cruel
cut!
© Rani M. Moesq 2011
-----
Rani M. Moesq has taught English language in a number of countries. She has lectured on aspects of English Literature, has written the book, lyrics and music for two musical comedies and had poetry, short stories, essays and books for children published in Singapore, Australia and New Zealand. A member of the New Zealand Society of Authors, she is a full-time writer and is at present working on a novel set in pre and post-war Singapore.
Rani M. Moesq has taught English language in a number of countries. She has lectured on aspects of English Literature, has written the book, lyrics and music for two musical comedies and had poetry, short stories, essays and books for children published in Singapore, Australia and New Zealand. A member of the New Zealand Society of Authors, she is a full-time writer and is at present working on a novel set in pre and post-war Singapore.
Issue ten// Phylinda Moore
Just Before
the air turns green, pink, or sometimes yellow
like a bruise
animals still, birds quiet
listen
in heavy waiting air
watch
steel grey clouds wall across the sky
the animal in you is wary
look
the hook snares the ground
if it comes
sound runs a freightliner over paper
you throw
to the ground– your only,
tenuous hope
and pray
God spare you
this destruction
© Phylinda Moore 2011
-----
Phylinda Moore lives in Philadelphia. Journals where her work has
been published include: Bogg, The Rambler, RiverSedge, and Sierra Nevada College Review.
Phylinda Moore lives in Philadelphia. Journals where her work has
been published include: Bogg, The Rambler, RiverSedge, and Sierra Nevada College Review.
Issue ten// Donal Mahoney
Sitting Shiva in a Hotel Lobby
For a year this image has haunted me.
Over and over I hear on the gramophone
Cohen put in my ear
“Feature this:
On a crowded elevator
a strange woman in a baseball cap
unbuttons your fly.”
That image is on the ceiling every night
as I sit shiva in the lobby
of this small hotel,
a hookah, like a tired cobra,
coiled at my feet,
a shamrock in my buttonhole
dead from the last parade.
Night after night,
I think about this strange woman
as each hour I watch
the doors of the elevator
part and give birth.
I observe each new guest carefully,
hoping the woman in the baseball cap
will tire of the rain and ride up
in the elevator and register.
I want her to sit in the lobby
and talk with us.
We who are guests here forever
have eons to hear
what she has to say.
We have paid our rent in advance.
We can afford to sit here and see.
© Donal Mahoney 2011
-----
Donal Mahoney has worked as an editor for the Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. A Pushcart nominee, he has had poems published in The Beloit Poetry Journal, Commonweal, Public Republic (Bulgaria) and Revival (Ireland).
Donal Mahoney has worked as an editor for the Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. A Pushcart nominee, he has had poems published in The Beloit Poetry Journal, Commonweal, Public Republic (Bulgaria) and Revival (Ireland).
Issue ten// Garrett Ashley
Nell
He says, "Plans are only ruined as they are made."
I say, "We have a week to worry, long enough to rest."
They say, "But it may rain, or something. The wind
Will pick up and catch us having fun."
I say, "So we will reschedule."
They say, "We shouldn't make plans at all."
He says, "Plans are only ruined as they are made."
She says, "The tents are packed and the wind will blow
Them away.
I say, "Let the wind blow, that is the way of nature."
They say, "We'll have blankets, and a fire if it's too cold."
I say, "And darkness to protect us from the animal and the stranger."
My mother comes into the room, tears on her cheeks, she says,
"Nell is dead; there was a gas leak, now they're all gone."
I say, no I think—we think—maybe it's better
That we never make any plans at all.
Reflection
Blue is the ugliest color, mercury
Blue with a hint of delight
And a fusion of circumstances
I have not controlled.
The color of an eye—not a pair, one
Open pupil wide, seeing
Through the angry lines, but
Never hearing, it turns white,
And loses sight, deserving, probably.
I hope that eye never loses
The memory of the things it has seen.
© Garrett Ashley 2011
-----
Garrett Ashley lives in MS and studies English at The University of Southern Mississippi. His works have appeared or are forthcoming in more than a dozen publications including Brain Harvest, The Bloody Bridge Review, The Smoking Poet, and M Brane SF. Currently he enjoys juggling cats.
Garrett Ashley lives in MS and studies English at The University of Southern Mississippi. His works have appeared or are forthcoming in more than a dozen publications including Brain Harvest, The Bloody Bridge Review, The Smoking Poet, and M Brane SF. Currently he enjoys juggling cats.
Issue ten// Brandon Copeland
On this banal plain
what is that saying?
oh.
darkest before dawn?
and i will keep
holding out my tongue
because each ending
is a different flavor of darkness
no abyss or bliss
just shades of existence,
in the twilight
and the morning repeating
© Brandon Copeland 2011
-----
Brandon Copeland, 29, is a social justice activist and writer
originally from Kentucky. His website, Nascence, can be visited here.
Brandon Copeland, 29, is a social justice activist and writer
originally from Kentucky. His website, Nascence, can be visited here.
Issue ten //Derrick A. Paulson
Scribbled Extinct
This morning at the corner coffee shop I overheard the tail
end of a heated conversation in a booth adjacent to mine
between a triceratops and an astronomer. I had assumed
they were discussing their choices in beverages when I first
sat down, had even snickered to myself at the ironic thought
that this armored dinosaur could be drinking a turtle mocha. I
had also quickly stifled a laugh into the crossword section of
my newspaper at the association between “stargazer”
and “Starbucks” (as well as at the coincidence that the
former was the answer to four across). “It doesn’t matter how
cold it is,” the astronomer said, exasperated. “What’s
important is the size of the thing.” “I, for one, am opposed”
snorted the triceratops, “whole textbooks will have to be
overhauled, forthcoming ones recalled, all because of a
minor classification discrepancy.” “Minor?” repeated the
astronomer, “there’re tons of things that would’ve had to be
considered planetary in our galaxy alone, including some
asteroids, if Pluto had stayed a planet.” “Don’t mention
asteroids,” shivered the triceratops. Then, to regain his
composure, he said coolly: “I thought the term ‘dwarf’ was
dysphemistic in contemporary times?” I sipped my cold
coffee, scribbled “extinct” into fifteen across. “It’s completely
fine to call Pluto a dwarf planet,” said the astronomer, “it’s
not going to get offended and start protesting the IAU
committee’s decision—leave it to the misinformed mass to
do that.” His remark was as pointed as his companion’s
horn’s. “Do you imply that I am missing something?” the
triceratops asked as he rubbed the thinning bone of his frill,
unable to check the agitation in his voice. “Your tenure
doesn’t ensure your competence,” replied the astronomer.
Even I could sense there was something akin to an elephant
in the room. I tried to focus on my crossword, to ignore the
silence that followed. The clue for fifteen down: “Cretaceous
ceratopsid” seemed so familiar, yet, for the life of me I
couldn’t place it. When I looked up again the astronomer
was turning a melting ice cube from his emptied glass over
and over in his hand, and the triceratops was gone.
© Derrick A. Paulson 2011
-----
Derrick A. Paulson (26) is a M.F.A. candidate in creative writing at Minnesota State University Moorhead. His previous works of poetry and prose have been included in Lovechild, Red Weather, and the Gander Press Review.
Derrick A. Paulson (26) is a M.F.A. candidate in creative writing at Minnesota State University Moorhead. His previous works of poetry and prose have been included in Lovechild, Red Weather, and the Gander Press Review.
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